DomainK Posted May 5, 2011 Share Posted May 5, 2011 The most famous dialog ever in Hindi cinema: z7_mzV5SZ_4&feature=related Link to comment Share on other sites More sharing options...
Stuge Posted May 5, 2011 Share Posted May 5, 2011 czt_Eroo_bs Especially from 3:30. man this loha and this movie is EPIC !! Link to comment Share on other sites More sharing options...
General_Public Posted May 5, 2011 Share Posted May 5, 2011 Conversation between Raj kumar and Pralaynath Gendaswamy in Tiranga Why don't our villians have normal names ever. Mogambo, Dr Dang, Shakaal. Link to comment Share on other sites More sharing options...
Aaku Posted May 5, 2011 Share Posted May 5, 2011 Gunda k dialogs :icflove: Link to comment Share on other sites More sharing options...
jaggadaku Posted May 5, 2011 Share Posted May 5, 2011 Opening scene of Omkara Ch***** or bewkoof main dhage bhar ka fark hota hai bhai Link to comment Share on other sites More sharing options...
Sir john Posted May 5, 2011 Author Share Posted May 5, 2011 Conversation between Raj kumar and Pralaynath Gendaswamy in Tiranga :two_thumbs_up: Link to comment Share on other sites More sharing options...
Sir john Posted May 5, 2011 Author Share Posted May 5, 2011 hQu222Sd9lE Link to comment Share on other sites More sharing options...
Stuge Posted May 5, 2011 Share Posted May 5, 2011 Gunda k dialogs :icflove: Tu bhi eek din marrad banegi :P:hysterical::hysterical::cantstop: kidding !! Link to comment Share on other sites More sharing options...
The Outsider Posted May 5, 2011 Share Posted May 5, 2011 Opening scene of Omkara Ch***** or bewkoof main dhage bhar ka fark hota hai bhai Bevakoof aur chewtiye mein dhaage bhar ka pharak hota hai bhaiya - dhaage ke inge bevakoof aur unge chewtiya. Aur jo dhaaga hainch lo, to kaun hai bevakoof aur kaun hai chewtiya karood rupeye ka prasan hain bhaiya. Dekhen to sahi ki dulhe raja kay hain? Dekhein ----- tu to bevakoof haiga, chewtiya to aadmi saadi ke baad hi hove hai aur teri to saadi honi nahin. :bow: Link to comment Share on other sites More sharing options...
Mariyam Posted May 5, 2011 Share Posted May 5, 2011 Bevakoof aur chewtiye mein dhaage bhar ka pharak hota hai bhaiya - dhaage ke inge bevakoof aur unge chewtiya. Aur jo dhaaga hainch lo, to kaun hai bevakoof aur kaun hai chewtiya karood rupeye ka prasan hain bhaiya. Dekhen to sahi ki dulhe raja kay hain? Dekhein ----- tu to bevakoof haiga, chewtiya to aadmi saadi ke baad hi hove hai aur teri to saadi honi nahin. :bow: :(( Respectfully disagree. Obscenities and mindless metaphors, does not a dialogue make. Link to comment Share on other sites More sharing options...
EnterTheVoid Posted May 5, 2011 Share Posted May 5, 2011 Bollywood, tollywood, lollywood whatever, it's all the same **** There's his Telugu guy called "Balayya" Grab a hold of his movies, you'd be tearing your hair out at how bad/ridiculous the dialogues are and the absolute pitiful depths south Indian cinema has nose dived to :(( Link to comment Share on other sites More sharing options...
ganeshran Posted May 5, 2011 Share Posted May 5, 2011 Tu bhi eek din marrad banegi :P:hysterical::hysterical::cantstop: kidding !! :hysterical::hysterical::giggle::giggle: Link to comment Share on other sites More sharing options...
Sir_Afridi Posted May 5, 2011 Share Posted May 5, 2011 [ame=http://www.youtube.com/watch?v=0Qotl5hHB4c]YouTube - Crime Master GOGO - All scenes[/ame] Link to comment Share on other sites More sharing options...
ganeshran Posted May 5, 2011 Share Posted May 5, 2011 Why don't our villians have normal names ever. Mogambo' date=' Dr Dang, Shakaal.[/quote'] Because our script writing sucks. They find it difficult to portray evil and good on screen in a more subtle way and hence take shortcuts by creating OTT villains and heroes who are more caricatures than characters. Link to comment Share on other sites More sharing options...
jaggadaku Posted May 5, 2011 Share Posted May 5, 2011 Bevakoof aur chewtiye mein dhaage bhar ka pharak hota hai bhaiya - dhaage ke inge bevakoof aur unge chewtiya. Aur jo dhaaga hainch lo, to kaun hai bevakoof aur kaun hai chewtiya karood rupeye ka prasan hain bhaiya. Dekhen to sahi ki dulhe raja kay hain? Dekhein ----- tu to bevakoof haiga, chewtiya to aadmi saadi ke baad hi hove hai aur teri to saadi honi nahin. :bow: :hatsoff: 5xws5Ymn_7 Saif ali khan got a lot of appreciation for this movie but Deepak dobriyal as RAjju was equally awesome Link to comment Share on other sites More sharing options...
Aaku Posted May 5, 2011 Share Posted May 5, 2011 Tu bhi eek din marrad banegi :P:hysterical::hysterical::cantstop: kidding !! :(( Link to comment Share on other sites More sharing options...
The Outsider Posted May 5, 2011 Share Posted May 5, 2011 :(( Respectfully disagree. Obscenities and mindless metaphors, does not a dialogue make. Respectfully disagree - such mindless metaphors and obscenities are used by many in the region the movie was capturing. Capturing the basic reality along with delivering a punch is what writing dialogue and screenplay are all about. Think of the people behind the rise of Amitabh Bachchan - Salim Javed. Link to comment Share on other sites More sharing options...
jaggadaku Posted May 5, 2011 Share Posted May 5, 2011 Gilori Khaya karo gulfam Zubaan kaboo main rehti hai KjpHofETDp4 Link to comment Share on other sites More sharing options...
Mariyam Posted May 5, 2011 Share Posted May 5, 2011 Some of my favourite scenes, greatness after all is subjective: 1) In Wake up Sid, Konkona sen calls up Ranbir 10 mins before her birthday and tells him that its her birthday in 10 mins. He then makes an impromptu cake with jam, bread etc and gives it to her. Pretty sweet scene. 2) The final cycle race sequence in jo jeeta wohi sikandar. I know the movie is moronic, but I still like that scene and the movie. 3) On of the most powerful and socially relevant scenes that I can recollect is from Deewar. The police commissioner breaks it to Shashi Kapoor that his brother is a don. Shashi Kapoor walks out of his office and after a little while finds a thief ( a small boy) making a run with some stolen goods and a few people behind him. Shashi Kapoor asks him to stop, but the guy doesn't. SK is forced to fire at the boys legs. When the kid falls down, SK discovers that he only stolen a piece of bread. SK has the boy admitted to a hospital and himself goes to the boy's home to hand over some eatables. The boy's parents don't recognize him and assume him to be a friend of the boy. The boy's father is a masterji. When SK says that he is the one who shot the boy, the mother gets livid and starts off with the " bade bade criminals ko kuch nahi karte aur mere bete ko goli maar di" The masterji appologizes for his wife's behavior and says that SK did the right thing. While leaving SK says something to the tune of " yeh seekh mujhe sirf ek masterji ke ghar se hi mil sakti thi" The scene encapsulates the guilt and helplessness of a police officer, who knows that he is harsher on the weakest segments of the society and not so much on the big criminals. It also shows the anguish the masterji faces when facing SK. He is forced to choose between being a wronged father and his principles. He chooses the latter. Link to comment Share on other sites More sharing options...
ganeshran Posted May 5, 2011 Share Posted May 5, 2011 Rajnikanth.... S42TJjB3pcg The golts copied this in Chiranjeevi's movie Indra... :hitler: :hitler: Link to comment Share on other sites More sharing options...
.svg.png.5ab3ce86b8af4a762132502c85a350db.thumb.png.8a4574a4556391f1df10aa68196a2ab0.png)
Recommended Posts