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The Never Ending Thread

Ram

By Ram
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Guest Hiten.

Guest Hiten.

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batgasm.gif :hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical::hysterical:
YOU ARE ***IN DISGUSTING :whack:
Desi Cartman Newbie

Desi Cartman

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Cheers underscore.. anyone here knows how to take such a pic???
Its called Wide-angle photography I think .. My friend took shots like these when he went to Sri lanka. He stood at one place and moved/turned a little bit while clicking and it comes on as one shot. http://www.ephotozine.com/article/Wideangle-photography-technique-4753 edit: I dont think wide-angle is the correct way to explain it but I hope you get how its done. Its a series of pics
nikred Newbie

nikred

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Its called Wide-angle photography I think .. My friend took shots like these when he went to Sri lanka. He stood at one place and moved/turned a little bit while clicking and it comes on as one shot. http://www.ephotozine.com/article/Wideangle-photography-technique-4753 edit: I dont think wide-angle is the correct way to explain it but I hope you get how its done. Its a series of pics
yup, has to be series of pics just overlayered. :dance: Don't they do the same thing for panoramic view.
EnterTheVoid Mentor

EnterTheVoid

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poverty-picture.jpg In March 1993 Carter made a trip to southern Sudan. The sound of soft, high-pitched whimpering near the village of Ayod attracted Carter to an emaciated Sudanese toddler. The girl had stopped to rest while struggling to a feeding center, whereupon a vulture had landed nearby. He said that he waited about 20 minutes, hoping that the vulture would spread its wings. It didn't. Carter snapped the haunting photograph and chased the vulture away [2]. However, he also came under heavy criticism for just photographing — and not helping — the little girl: "The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene." The photograph was sold to The New York Times where it appeared for the first time on March 26, 1993. Practically overnight hundreds of people contacted the newspaper to ask whether the child had survived, leading the newspaper to run a special editor's note saying the girl had enough strength to walk away from the vulture, but that her ultimate fate was unknown.
mhr123 Newbie

mhr123

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poverty-picture.jpg In March 1993 Carter made a trip to southern Sudan. The sound of soft, high-pitched whimpering near the village of Ayod attracted Carter to an emaciated Sudanese toddler. The girl had stopped to rest while struggling to a feeding center, whereupon a vulture had landed nearby. He said that he waited about 20 minutes, hoping that the vulture would spread its wings. It didn't. Carter snapped the haunting photograph and chased the vulture away [2]. However, he also came under heavy criticism for just photographing — and not helping — the little girl: "The man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene." The photograph was sold to The New York Times where it appeared for the first time on March 26, 1993. Practically overnight hundreds of people contacted the newspaper to ask whether the child had survived, leading the newspaper to run a special editor's note saying the girl had enough strength to walk away from the vulture, but that her ultimate fate was unknown.
Alternative account of the photograph South African photojournalist Joao Silva, who accompanied Carter to Sudan, gave a different version of events in an interview with Japanese journalist and writer Akio Fujiwara that was published in Fujiwara's book The Boy who Became a Postcard (Ehagakini Sareta Shōnen). According to Silva, they (Carter and Silva) went to Sudan with the United Nations aboard Operation Lifeline Sudan and landed in Southern Sudan on March 11, 1993. The UN told them that they would take off again in 30 minutes (the time necessary to distribute food), so they ran around looking to take shots. The UN started to distribute corn and the women of the village came out of their wooden huts to meet the plane. Silva went looking for guerrilla fighters, while Carter strayed no more than a few dozen feet from the plane. Again according to Silva, Carter was quite shocked as it was the first time that he had seen a famine situation and so he took many shots of the children suffering from famine. Silva also started to take photos of children on the ground as if crying, which were not published. The parents of the children were busy taking food from the plane so they had left their children only briefly while they collected the food. This was the situation for the girl in the photo taken by Carter. A vulture landed behind the girl. To get the two in focus, Carter approached the scene very slowly so as not to scare the vulture away and took a photo from approximately 10 metres. He took a few more photos and then the vulture flew off. http://en.wikipedia.org/wiki/Kevin_Carter
DomainK Newbie

DomainK

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Alternative account of the photograph South African photojournalist Joao Silva, who accompanied Carter to Sudan, gave a different version of events in an interview with Japanese journalist and writer Akio Fujiwara that was published in Fujiwara's book The Boy who Became a Postcard (Ehagakini Sareta Shōnen). According to Silva, they (Carter and Silva) went to Sudan with the United Nations aboard Operation Lifeline Sudan and landed in Southern Sudan on March 11, 1993. The UN told them that they would take off again in 30 minutes (the time necessary to distribute food), so they ran around looking to take shots. The UN started to distribute corn and the women of the village came out of their wooden huts to meet the plane. Silva went looking for guerrilla fighters, while Carter strayed no more than a few dozen feet from the plane. Again according to Silva, Carter was quite shocked as it was the first time that he had seen a famine situation and so he took many shots of the children suffering from famine. Silva also started to take photos of children on the ground as if crying, which were not published. The parents of the children were busy taking food from the plane so they had left their children only briefly while they collected the food. This was the situation for the girl in the photo taken by Carter. A vulture landed behind the girl. To get the two in focus, Carter approached the scene very slowly so as not to scare the vulture away and took a photo from approximately 10 metres. He took a few more photos and then the vulture flew off. http://en.wikipedia.org/wiki/Kevin_Carter
Sad story.:((
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