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All Selva Ragavan films are similarly great. Not just 7 G. If have time check out Kadal Konden and Mayakkam Enna. Both awesome love stories just like 7G but with Dhanush as hero.

Posted
All Selva Ragavan films are similarly great. Not just 7 G. If have time check out Kadal Konden and Mayakkam Enna. Both awesome love stories just like 7G but with Dhanush as hero.
Yes. 'Puthupetai' according to me is best gangster movie till date in Tamil Cinema.
Posted

I love this movie Kannula Basalu and Thalachi Thalachi my favourite songs there is two common thing in this film and me we both loved North Indian Girl and we both didnt have happy ending.

Posted
Dont understand the obsession of tamil ppl and depressing ending and you guys seem to like. I watched lot of them to conclude this.
All started with Sethu (the original "Tere Naam" ) :giggle: 7G was awesome when I watched it first time. The movie becomes much depressing if i watch it second time.
Posted
All started with Sethu (the original "Tere Naam" ) :giggle: 7G was awesome when I watched it first time. The movie becomes much depressing if i watch it second time.
The final five minutes, absolutely outstanding. Always loved the scene where Sonia Agarwal gives Ravi Krishna a tongue lashing for not telling about his job offer to his dad. The subsequent scene where he overhears his parents talking about the job offer is also amazing.
Posted
The final five minutes, absolutely outstanding. Always loved the scene where Sonia Agarwal gives Ravi Krishna a tongue lashing for not telling about his job offer to his dad. The subsequent scene where he overhears his parents talking about the job offer is also amazing.
Final fifteen mins. Man, a gut punching like Bala's movies. There are many standout scenes, like identifying his talent and Sonia proposing him in men's restroom to get him focused, Anita enjoying for a second when he hugs her, Anita taking a decision to make love with him etc., Some moments never goes out of memory. Too realistic for bollywood audience though. :haha:
Posted

I read the plot too.

They have sex and then the girl and the boy get run over by a truck?

Maybe it is better when you show it in a movie, but i don't like plots like this

Posted

lol wtf kind of ending is this. how is this a story worth telling if it is determined by a stroke of fate? Without human motivation behind the denouement (villian behind the truck etc.), a stroke of fate has to be placed in a greater historical context, like the Titanic, where a budding love story met a tragic end because of a known historical event. or 1942 a love story, or Pearl Harbor etc. What's the message? what's the point of living, you may die any time? bkl phir movie kyon banate ho?

Posted
The final five minutes, absolutely outstanding. Always loved the scene where Sonia Agarwal gives Ravi Krishna a tongue lashing for not telling about his job offer to his dad. The subsequent scene where he overhears his parents talking about the job offer is also amazing.
Read that à little differently the first time around
Posted
lol wtf kind of ending is this. how is this a story worth telling if it is determined by a stroke of fate? Without human motivation behind the denouement (villian behind the truck etc.), a stroke of fate has to be placed in a greater historical context, like the Titanic, where a budding love story met a tragic end because of a known historical event. or 1942 a love story, or Pearl Harbor etc. What's the message? what's the point of living, you may die any time? bkl phir movie kyon banate ho?
Message is, "Reality hits us hard". Historical events doens't give much impact becoz, the audience knew the ending right from the start. An evil mode of deus ex machina, a story telling technique which has been successfully used in movies like Vertigo, Das boot, the mist, Clerks, etc., Even in Ramayana, after all those epic battles and Rama's determination, Sita gets eaten by earth bcoz Rama uttered a single doubt.
Posted

deus ex machina is the weakness and the flaw in a story's climax much reviled by good writers everywhere. A way chosen by lazy and untalented writers to bring the story to a close. Read up more on the term and Aristotle's hatred of it in his book on Dramaturgy "Poetics".

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